Irigaray, This Sex Which is Not One, above n 7, 75, emphasis in original. Creative Commons licence (CC BY-NC-SA 4.0), Men are more likely than women to designate themselves as speakers, more likely to ‘take speech in their name.’. The two-lips confound the dominant discourse as an alternative signifier to the phallus because there can no longer be a unity in the subject. Her basic experimental design in works like I love to you include developing a formal analysis from responses received by subjects given cues from which they are asked to form sentences.15Irigaray, I love to you, above n 14. Luce Irigaray’s critique of masculine language systems follows logically from her broader critique of history and culture first elaborated 40 years ago in Speculum.1Luce Irigaray, Speculum of the Other Woman, Gillian C. Gill (tr), (Cornell University Press 1985) Irigaray’s thinking on language is so complex and informed by so many difficult methodological frameworks, when approaching it for the first time I think it helps to look at her corpus chronologically. In This Sex Which Is Not One, Luce Irigaray elaborates on some of the major themes of Speculum of the Other Woman, her landmark work on the status of woman in Western philosophical discourse and in psychoanalytic theory, In eleven acute and widely ranging essays, Irigaray reconsiders the question of female sexuality in a variety of contexts that are relevant … The masculine logos thus reserves to itself the sole ability to direct and constrain meaning. Luce Irigaray, This Sex Which is Not One, Catherine Porter (tr), (Cornell University Press 1985) 106-118. Luce Irigaray is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist. The Two Subjects’ Dialectics in Luce Irigaray’s Philosophy. Speculum of the Other Woman by Luce Irigaray is incontestably one of the most important works in feminist theory to have been published in this generation. ticular Speculum: 13-129, addressed to Freud, and This Sex: 86-105, addressed to Lacan). This plurality is represented most memorably in Irigaray’s work as the two-lips.13See Irigaray, This Sex Which is Not One, above n 7, 205-218. In this new book, crucial for understanding her journey, Luce Irigaray goes further than in Speculum and questions the work of the Pre-Socratics at the root of our culture. She is best known for her works Speculum of the Other Woman and This Sex Which Is Not One. Speculum of the Other Woman | Luce Irigaray | download | Z-Library. Irigaray traces the origin on Socratic thought through the notion of ‘truth’, illustrating how truth could only be acceded to through the teaching of the ‘master’. Language: Notes on the Thought of Luce Irigaray by Yvette Russell • 5 June 2014, Your email address will not be published. 1 Luce Irigaray, Speculum of the Other Woman, Gillian C. Gill (tr), (Cornell University Press 1985) Irigaray’s thinking on language is so complex and informed by so many difficult methodological … As Elizabeth Grosz explains, this happens with by way of self-referential systems of logic which are fundamentally partial: Discourses refuse to acknowledge that their own partiality, their own perspectivity, their own interests and values, implicitly rely upon conceptions of women and femininity in order to maintain their ‘objectivity’, ‘scientificity’, or ‘truth’ – that is, their veiled masculinity.3Elizabeth Grosz, Jacques Lacan: A Feminist Introduction (Routledge 1990) 180. This ‘truth’ was genealogically passed between (male) disciples, thus instantiating a solipsistic male discourse exchanged only between men amongst themselves. Irigaray is the author of works analyzing … Ovidiu Anemtoaicei & Yvette Russell, ‘Luce Irigaray: Back to the Beginning’ (2013) 21(5) International Journal of Philosophical Studies 773, 775. Luce Irigaray's writing is not well known in the United States, partly because of the dearth of translations, and partly because of its manifest idiosyncracies.1 When Irigaray practices the deliberate "disconcerting of language" that she describes in Speculum… A radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own. She does not want opinions about her everyday life to interfere with interpretations of her ideas. Notify me of follow-up comments by email. This paper explores the symbolic implications of Luce Irigaray's images of the female body, particularly the two lips and the mucous. ‘This separation, constitutive of man as man, requires that he erect himself as solid entity out of an undifferentiated subjectum’.12Luce Irigaray, To Speak is Never Neutral, Gail Schwab (tr), (Continuum 2002) 233. Luce Irigaray In Practice and Critiqued Irigaray’s work is, of course, commonly praised by other postmodern feminist thinkers and theorists, “Luce Irigaray's Speculum of the Other Woman, one of the most important texts of recent feminist thought” (Homans). In Speculum, Irigaray presents her case through parodic quotation, together with allusions, homophones and puns. Irigaray illustrates the effect of the ‘veiled masculinity’ present in dominant language systems in her extensive empirical research into the relationship between philosophy and linguistics. Luce Irigaray, An Ethics of Sexual Difference, Carolyn Burke and Gillian C. Gill (tr), (Continuum 2004) 107. She is best known for her works Speculum of the Other Woman and This Sex Which Is Not One. Bio: Luce Irigaray is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist. ‘How does the subject come back to itself after having exiled itself within a discourse?’ She asks in To speak is never neutral; ‘[t]his is the question of any era’.23Irigaray, To Speak is Never Neutral, above n 12, 4. For the profession of psychoanalysis, Irigaray believes, female sexuality has remained a "dark continent," unfathomable and unapproachable; its nature can only be misunderstood by those who continue to regard women … It is this reduction of the play of meaning to unity that necessarily eschews the fluidity and plurality represented by woman. Women are more likely than men to characterize difference as positive, and women are more likely to use interrogatives. This necessary reduction of the play of meanings to mirror the male morphology bears witness, says Irigaray, to the very separation of man from ‘the mother-nature’. Margaret Whitford, Luce Irigaray: Philosophy in the Feminine (Routledge 1991) 34. In Speculum, Irigaray ( Polity 2011 ) 150 luce Irigaray is a Belgian-born French critic, philosopher linguist... 5 June 2014, your email address luce irigaray speculum Not be published to itself sole! Contributions to feminist theory and continental Philosophy Speak through difference is something with Which Irigaray continued. Represented by Woman in their responses, women privilege relationships between persons the play of meaning unity. In their responses, women privilege relationships between persons get trusted stories delivered right to your inbox change the... Owned subsidiary of Counterpress Limited are free to share/repost/republish/remix for non-commercial purposes on that! 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